Watch TrailerKadak Singh Movie Review: After taking a round at the International Film Festival of India (IFFI) in Goa, Kadak Singh has made its way to the OTT platform, Zee5. Starring Pankaj Tripathi and Sanjana Sanghi, the film revolves around AK Shrivastava, a financial crimes officer in Kolkata, who suffers from localised amnesia post-accident while investigating a major chit fund scam. Lying in a hospital bed, with occasional visits from colleagues and family members, Shrivastava grapples with forgotten family ties, specifically his daughter Sakshi, played by Sanjana Sanghi. The tension escalates as Sakshi attempts to reconnect with her father since his memory loss seems selective.
The plot takes an intriguing turn when Sakshi and his colleagues narrate the events leading up to the fateful incident – a different version from each end – leaving viewers guessing.
Tripathi’s portrayal is nuanced, seamlessly transitioning from a skeptical father to someone gradually forming a bond with his daughter and an able officer with the financial crime department. Jaya Ahsan’s delightful cameo adds to the storyline, particularly in heartwarming scenes with Sakshi.
The film maintains a brisk pace in the first half, keeping the audience guessing and questioning the authenticity of everyone’s account. The uncertainty surrounding Shrivastava’s memory loss and the authenticity of events keeps the suspense alive throughout, making it a compelling watch. With a well-executed first half, strong performances, and interesting character dynamics, the thriller grips viewers, leaving them immersed in a web of mystery and suspense.
The first half of the movie successfully keeps the audience on the edge of their seats with intense suspense. However, the momentum falters considerably in the second half. The story gets confusing but eventually predictable. Sanjana Sanghi delivers a commendable performance, although there are moments where her portrayal lacks full conviction. Pankaj Tripathi shines, seamlessly embodying diverse personas across different timelines. Whether portraying a lonely widower seeking companionship or a struggling father, Tripathi’s versatility adds depth to the narrative. Despite a few hiccups, the film engages viewers with its plot and standout performances. Jaya Ahsan’s Bollywood debut deserves a mention. Scenes of her waiting patiently in the hospital lobby, without access to the patient’s room, tugs at the audience’s heart. Parvathy Thiruvothu as Miss Kannan also puts up a delightful performance.
Aniruddha Roy Chowdhury, known for films such as Pink and Lost, spins a tapestry of deceit that entangles not only the characters on screen but also leaves the audience uncertain, as everyone appears to be untruthful at some juncture, blurring the lines between reality and falsehood. But an uneven script takes away from the story.
Kadak Singh could be a decent one-time watch despite a less-than-perfect second half.
